
The case where Gregor would not have nurtured the spirit of hostility toward his boss and his work. The story on metamorphosis would not have happened in either of the two cases. Sokel dares to explain the extent of punishment and rebellion taking place in the story. "Kafka's" Metamorphosis": Rebellion and Punishment." Monatshefte (1956): 203-214. The author uses these theories to help in the discussion of the psychoanalytic perceptions of the story. The story thus brings out the aspects of Marxism, Idealism, and Existentialism. The author goes ahead to denote the philosophical interpretations and the general structure of the story (Sokel 485). The father portrays the characters as having an inferior paternal-filial relationship. The author tries to mention the manner in which Kafka has depicted his own experience in handling the attitude of the father that is too unbearable to the other family members. The article attempts to present the view of the author regarding the whole idea of the storyline based on the theme of self-human alienation. "From Marx to Myth: The Structure and Function of Self-Alienation in Kafka's" Metaphorphosis." The Literary Review 26.4 (1983): 485. The story is thus a show of the extent of family conflicts in the society as a means of propagating the unity under the same units in the community. The real depth of the vision by the author in the metamorphosis emerges from the same analysis (Silhol 12). It also bases the argument about the family linkages that are pegged onto the true identities of the members therein. The author shows how the twists in the language used in the story reveal the unconscious fantasies in the body. The article goes deeper to provide a detailed account of the German language based on Kafka's the metamorphosis. Silhol in this review gives the idea on the psychoanalytic literary criticism used as the primary thematic message in the story. "Franz Kafka's : A case study." PsyArt (2008). Light strikes the distorted body of Gregor and gives out the source of the creation in poetry. This gesture shows the poetic sign of consciousness in the literary world. The story uses such trajectory remarks as to how creatures turn away from life only to face death (Corngold 5). The manner in which Gregor meets his death is used to explicitly emanate from the outside window that does not seem to be the source of the real situation in the making. Although the story is connected to allegorical tradition present in Romanticism, it does the same just a moment before radically departing from the same. The article, in this case, tries to link the theme used in the story to Romanticism. Port Washington, NY: Kennikat Press, 1973. The Commentators' Despair: The Interpretation of Kafka's Metamorphosis.
